Savita Bhabhi movie review

Savita Bhabhi movie review by Bollywoodlife.com

 

As part of BollywoodLife’s second anniversary celebrations, what better gift to offer you, dear readers, than the first ever review of another film celebrating the centenary of Indian cinema – Savita Bhabhi The Movie, India’s first animated porn film. Yes, we know what you’re thinking, it’s dirty work, but someone has to do it.

The film is set in 2070 and opens with vistas of a cityscape where there are no motorways, only airways as all vehicles fly. Because oil has been found on the moon, vehicles still run on petrol. We are informed that we are in Bombay (a global corporation owns naming rights for the city and they decided to rename it from Mumbai). Though everything seems hunky dory on the surface, it’s not, in reality, because of the draconian measures under the Censorship Act where websites are censored.

What really hurts our hero Suraj is that Technology Minister Rakesh Mehta has banned all porn sites. One day, while trawling for porn, Suraj comes across early 2000s porn comics featuring Savita Bhabhi and he is immediately enamoured. He rushes to inform his geeky friend Hari about her. Hari has built a machine that can transport people to any world and this is duly deployed to take the duo to Savita’s world.

Suraj and Hari land on Savita’s bed in the middle of a game of strip poker that ends with predictable consequences. At the climax, the transport machine malfunctions and the duo, along with the devoid of clothing Savita, return to 2070. The parts required to repair the machine have been seized by Mehta’s ministry and while Hari figures out a plan, Suraj equips Savita with his sister’s clothes, only for her to shed it soon enough while they make the beast with two backs.

Hari’s plan to break into the ministry’s repository requires Mehta’s fingerprints and retina scan and of course the only way to obtain this is to send Savita to him in the guise of a reporter, which she duly does, dressed in a miniskirt, stockings and a shirt that reveals more than it conceals. It is also decided if Suraj and Hari could get a video of Savita making jiggy with Mehta, it could be used to end the Minister’s career. Savita obliges, gets the prints, scan and video and is sent back to her comic book world.

The film is executive produced by Deshmukh, the creator of the original comics. The animation by Sugar Daddy Entertainment is not Hollywood level but is bright, clear and sparkly. Thankfully, their vision of 2070 Bombay is more Blade Runner and The Fifth Element rather than Love Story 2050, that incomparable vehicle for Harman Baweja. Voice direction by Nitin G is top notch with Savita’s voice being suitably whiny and sexy, Suraj’s aptly heroic and Hari’s correctly despo and geeky with the standout being Mehta’s sleazeball Minister. The entire voice cast performs well on the moans and grunts score.

Empire Studio UK’s dialogue is as filthy and explicit as you can imagine. Nitin Kumar Gupta’s music is upbeat with the songs being catchy. And the lyrics make Yo Yo Honey Singh’s songs sound like bhajans. What elevates Savita Bhabhi The Movie above a mere animated porn flick is its goofy sense of humour. The film doesn’t take itself very seriously and yet, at the same time, manages to make a strong point about the censorship age we live in.

For those of you palm chafers waiting for descriptions of the money shots, let it suffice to say that there is a lot of it and it is hardcore. USD$30 for just 30 minutes of film may sound inordinately high, but hey, it buys you a whole year of self-abuse, if that’s the kind of thing that raises your periscope.

Source : http://www.bollywoodlife.com/news-gossip/savita-bhabhi-the-movie-review-indias-first-animated-porn-film-does-not-disappoint/

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Go Goa Gone and Gippi Review

Go Goa Gone Review

Ratings:3.5/5  Review By:  Taran Adarsh  Site:Bollywood Hungama

GO GOA GONE comes across more as an adventure flick than a conventional horror film. Sure, it has its share of violence and gore, besides some cuss words, rave party et al, but the fun quotient is smartly integrated in the screenplay and what comes across is crazy, madcap amusement. Raj and DK are enthused by Hollywood movies and there’s no denying that GO GOA GONE is a film with Hollywood sensibilities. But the best part is that the film never gets dark or depressing. The wit and humor, generously interwoven in the narrative, keeps you smiling all through, despite the blood and gore. On the whole, GO GOA GONE is experimental since something like this has never been attempted earlier. But it’s fun, witty, amusing and yes, thoroughly entertaining. The youngistaan is sure to love this mad, mad, mad ride!

Ratings:3/5  Review By:  Meena Iyer  Site:Times Of India (TOI)
Go Goa Gone is positively different from anything you seen before. And for the young and restless(tattooed, ring-pierced, rave-party enthusiasts) or even those who like whacked-out fun, it’s a great ride. With easy performances from Kunal, Saif, Vir and Anand and the crackerjack dialogue, the film will keep you in splits for the most part. What is a little tiring though,is the pace of the zombies, who are a bit too monotonous.  However some of the situations in GGG are repititive. Hence, the laughs that were coming spontaneously till a point become a bit forced at some juncture.

Ratings:2.5/5  Review By:  Shubir Rishi  Site:Rediff

Half the time I was lost in his prepubescent Convent-school accent, and the other half getting annoyed at the wooden expression. Really, its not called understated. It’s just called dumb. Having said all that, Go Goa Gone is a fun watch. There are plenty of innocent-sounding, slow-exploding one-liners, which are funny.Please go watch this movie sans-kids, and you are in for some genuine giggles. And of course, there is a promise-like for a sequel.

Gippi Review

Ratings:3.5/5  Review By:  Taran Adarsh  Site:Bollywood Hungama

Frankly, Gippi’s could be yours, mine, anybody’s story. Many of us go through a phase that’s between teens and adulthood. Films like GIPPI talk to every parent, every child since kids, generally, at that age, don’t know how to deal with situations and challenges that life throws at them. The feeling of insecurity, anxiety, edginess that one experiences during those years is delightfully captured through the various kids in the film. On the whole, GIPPI is a credible take on the ‘coming-of-age’ variety of movies. This one’s straight from the heart. Sweet, simple, emotionally engaging, heart-warming cinema!

Ratings:3/5  Review By:  Madhureeta Mukherjee  Site:Times Of India (TOI)

Sonam Nair’s ‘coming of puberty’ film handles simple issues sensitively, though it doesn’t delve too deep. The subtlety appeals, but we wish there was more drama packed in the second half, with a better climax. Teenagers will probably find a slice of their life in Gippi, and adults might protest to such 14-somethings extreme indulgences in fashion, hot-bods and green-tea diets. The mom-daughter moments exude emotions and shed the typical broken-home baggage. Overall, a simple story that stays pre-pubescent and doesn’t quite grow into the high-school of stories. Moral: Be yourself, love yourself – fat, frumpy or Gippi!

Ratings:2.5/5  Review By:  Saibal Chaterjee  Site:NDTV

For all its attempts to look and feel different from the run-of-the-mill, Gippi is pretty obviously not the ultimate film about adolescence. But there is no denying that it is a warm-hearted film, if nothing else, with some nice touches that might strike an emotional chord. The crucial turning points in the plot are rather unimaginatively handled, often pushing an otherwise commendable effort into all-encompassing shallowness. Gippi is a feel-good drama and everything, even an overdose of clumsy preaching, is fair when the principal pursuit is happiness.

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